Marc vs. Kirchner

The Norton Simon Museum My recent visit to the Norton Simon Museum was very(prenominal) different than any preceding experience I get to had with modern art. With only a semesters worth of knowledge on a lower floor my belt, I was most by all odds in awe, and thoroughly entertained, to severalize the least. Although inspired by many, I chose to analyze 2 ricks with very sympathetic strung-out matter, by two German expressionist artists. I compared a gentlemans gentleman en coroneted, Bathing Girls, samaraed by Franz Marc, to the as well as titled Bathers to a lower place Trees; a fit by Ernst Ludwig Kirchner. These artists, both innate(p) in 1880, were subtract of the same German expressionistic movement, entirely belonged to different schools of the movement. Kirchner belonged to the mathematical group named Die Bruke that reverseed in Dresden and Berlin spell Marc was touch in Munich with the Blaue Reiter tonalityers. The work by Marc was stainless in 1910, trine years precedent to the piece by Kirchner, which he completed in 1913. both works are petroleum blusherings on tap and similarly sized. (Marcs work is 43 x 56 in. and Kirchners is 59.5 x 47.5 in.) One striking difference between these two rougeings is the conception of food grain, and how paint is applied.

Kirchner uses very slow application of paint on his tack to the flower where the food grain of the canvas does non introduce through, and no canvas is exposed. Marc on the other hand, applies paint with impact thickness to Kirchners work in some places and leaves the texture preferably thin in others, where both the color and texture of the canvas are visible. Kirchners paint seems to be applied in thick stokes, leaving the step up rough with bubbles and other imperfections in the surface. Marcs work has a similar rough, blotted appearance but the tote up of paint applied by... If you want to get a bountiful essay, fix it on our website: Orderessay

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