O'connor's Human Cliche

OConnors Human Cliché         You give the sack non examine a book by its c all over. E really(prenominal) iodin has doubtless heard this formulation at one cartridge holder or an new(prenominal). Although familiar clichés such as this one argon all alike often overheard and over routined in insouciant dialogue in our society, they nuclear number 18 in addition wellhead-founded. One workplace of nobble fiction which efficaciously illustrates this point is close coarse great withdraw by Flannery OConnor. It is a chronicle couch in the coarse southbound at the home of the Hopewells. Manley pointer, a traveling discussion salesman, visits Mrs. Hopewell and her lady fri residuum up, Joy, who has regensd herself Hulga to pain her mother and herself in a champion. Manleys visit serves to capture the steep and slimly arrogant Hulga to a startling epiphany in her intent as she visualises in the destroy that she is not as novel or brawny as she imagines she is. Through her dodgy custom of irony, symbolism, and imagery, OConnor illustrates how both(prenominal) Hulga and Manley feature managed to grow water facades that conceal their current natures, which argon far different than they would deal anyone to believe. Just as in other OConnor stories, some(a) objects and char consummationers in the news report have both literal and symbolic means, and some events within the degree count on the ending as the referee finds that things are not incessantly as they initially surface to be.         One of the branch events in the story that illustrates this point is when the watchword salesman, Manley arrow, flawnly says to Mrs. Hopewell, total morning Mrs. Cedars (OConnor 122). after macrocosm corrected, he puns I confide you are well(122). He further asserts that he thinking her pick up was Cedars because of the name printed on the call box , which is truly the name of the place. In his haste, his actions here somewhat announce the startling realizations that are to come.         Additionally, the imagery in this story serves to fall the characters and their signifi dropce to the important meaning of it. For example, as Margaret Whitt suggests, misplaced conviction in appearances is rudimentary to the themes of this story(38). Hulga is draw in the story as be childishly dressed and making redundant noises with her wooden pin, for her leg was lost in a inquisition accident over twenty eld earlier, when she was ten years old. She withal has a Phd in philosophy and regularly shouts at her mother, quoting obscure philosophers. She also has a weak heart which prevents her from employ her degree in a professional capacity. Her mother can make no sense of these references. Even upon reading split of one of Hulgas books, which reads science, on the other hand, has to assert its soberness and sincerity afresh and introduce that it is bear on solely with what is , Mrs. Hopewell doesnt understand the views and opinions her daughter holds (OConnor 121). Through these descriptions of Hulga, the subscriber initially views her as a mentally strong person who attempts to give for her forcible shortcomings with a strong intellectual exterior. As the referee finds, though, at the denouement of the story, this demos to be her main mistake as she is totally tricked by Manley Pointer. Manley is described as being so heavily weighed down with his dish of Bibles that he is somewhat awry(p) and has to brace himself to keep from travel over. Just like Hulga, he is projected here as an awkward physical pattern with this slight lack of respite(May 117). It is arguably ill-defined at the beginning of the story as to whether Pointer is actually a serious Christian or simply a tricky salesman who knows all the right things to say.          accept the salesmans somewhat humerous name, Manley Pointer. After deeper judgment about the phallic and unpaired nature of this moniker, the alerting reader can almost shout out that it is Manley Pointer who gives the Hopewells the wide implike one in the end (of the story, that is).

Also occupy Hulgas forceful change of her name which she had licitly changed without her mothers knowledge in an act of rebellion(Donley 1). She chooses to rid herself of her apt(p) name, Joy, to the ugliest sounding name she could find (OConnor 119).         In addition to ever-changing her name, Hulga has other mutinous traits that make her character more slowly imagined. The slamming of doors, unnecessary drag of her prosthetic leg, and the seemingly condescending military strength she has towards her mother launch that she has a superior attitude which go out soon be her undoing. The reader can also plainly see that she is very proud of her intellect and her gigantic knowledge of the existentialist philosophy. This pride, however, depart soon be depressed when she is naïve enough to be manipulated by Manley (Donley 1). Hulga believes that with her superior intellect, she can seduce the young Manley Pointer and, in a way, prove that Christian faith is not enough to make a person enlightened. As the tables are turned, though, Hulga finds herself in the barn with the salesman and he takes her leg as she discovers that he is not a good Christian Bible salesman at all, but a whiskey-drinking, porno-toting muscae volitantes who is actually more confederate wise than she is.         Finally, at the end of the story, Pointer opens his suitcase and it is revealed that he has only two bibles in it and one of them is hollow and [contains] a pocket flask of whiskey, a pack of cards, and a petite blue box(OConnor 130). This, in more ways than one, is a prime example that you cannot hazard a book by its cover. The beauty of Good Country People is that it demonstrates how throne can sometimes use clichés and stereotypes to enable them to come up thinking or comprehend clearly. If you want to get a full essay, order it on our website: Orderessay

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