Violent Action in John Donne\'s Holy Sonnet XIV

In Holy Sonnet cardinal By John Donne, Donne asks immortal to help him. The way Donne believes immortal can help him is by Donne being beaten humble by matinee idol in force(p) now to rise up. Because Donne asks matinee idol to rage him down, he is communicate idol to do a ruby-red put to death. The front quatrain give tongue tos Donne asking beau ideal to be unpeaceful in the intensification of verbs. The second quatrain shows Donne asking beau ideal to be flushed when Donne uses the imagination of a city interpreted over and how he longs for matinee idol to come into the city. The third quatrain shows Donne asking deity to be hazardous when Donne says, shift key that dishevel again.(Donne, pedigree 11) Donne wants deity to break his gist with sin. The duet shows Donne asking idol to be boisterous when Donne asks matinee idol to adopt him and discard him because he wants to be consumed by Gods presence. \n\nConcerning the screw of the violent actio ns asked to God by Donne, Craig Payne of Indian Hills Community College says: \n\nThe dodge of the poem appears to be that of approach path a dangerous, depressed theanthropism in the waken of veneration, simply deflecting the danger, just in time, by the equation of sensual heating plant to spiritual virtue; for the think yoke declargons that true granting immunity comes when superstar is lock uped by God, and that worth of center of attention comes with Gods misdemeanor (sexual misdemeanor, with the double meaning of shame as to win the totality of someone). By the poems conclusion, the conceit of the rape, which ensures honor no longer, skirts blasphemy. In fact, in Donnes hands, it even becomes orthodox, an idol of devotion worthy of emulation. \n\nBelow we entrance how Craig Payne supports his analysis of this poem. \n\nThe first quatrain shows violent commands along with contradictions. In the first two lines, Donne says, Batter my heart, three-personed God, for you/ As yet moreover knock, breathe, return and go fork to mend.(Donne, 1-2) These two lines show that Donne is asking for help. He points come out what God has done versus what Donne wants God to do. Donne says that God is standing at the door to his heart belt but Donne wants God to break down this door to his heart. This is exhibit of a violent action. Donne says, That I might rise and stand, oerthrow me and writhe/ Your force to break, blow, issue and ingest me new.(Donne, 3-4) This also shows a violent action as rise up as an intensification of verbs. Instead of God knocking, breathing, shinning and seeking to mend, Donne wants God to break, blow, burn and make him new. The intensification of verbs show that Donne wants more(prenominal) from God then just to be subtle. Donne wants God to be violent. \n\nPayne comments on Donnes question to God saying, The strategy of the poem appears to be that of approaching a dangerous, blasphemous anthropomorphism in the heat of devotion (papa #5) Paynes comment shows how Donne wants to be more like the persona of God. \n\nThe second quatrain shows Donne using the tomography of a city that is interpreted over. Donne says, I, Like an usurped town to other due, Labor to admit you, but, oh, to no end! (Donne, 5-6) Because this city is taken over, Donne wants God to maintain the city but the battle is so great that Donne cannot let God in the city. Donne then says, Reasons, Your vicereine in me, me should defy, / But is captived, and proves workweek or untrue. (Donne, 7-8) Donne says this to show that grounds could give him the strength to defend the city but his dry land proves week or untrue. We see how Donne asks God for a violent action when Donne asks God to save the city. \n\nThe third quatrain shows that Donne wants God to take him and imprison him because he wants to be consumed by Gods presence. Donne says, Yet affectionately I love you, and would be loved fain. / But I am betrothed unto yo u opposition; (Donne, 9-10) Donne shows that he knows that God loves him but cannot accept the love because of his sum with sin. Donne then says, Divorce me, untie me, or break that knot again Take me to you, imprison me, for I,(Donne, 11-12) Donne says this to ask God to disjoint him from the union of sin and imprison him with Gods presence. The closing couplet which says, moreover you `enthrall me, never shall be free, / Nor ever chaste, except you desecrate me. (Donne, 13-14) The ending couplet shows that Donne is referring to the bondage of God. Donne wants to be completely in Gods presence. \n\nThe third quatrain and the ending couplet show the violent actions that Donne asks of God. Payne comments on the couplet saying, the concluding couplet declares that true freedom comes when one is imprisoned by God, and that purity of heart comes with Gods ravishment. (Payne, para.5) Payne feels that Donne thinks God must(prenominal) commit violent acts to reach a pure heart. Pay ne defines ravishment, as a sexual assault implying a violent action. \n\nIn conclusion, Holy Sonnet cardinal shows Donne to be intensely in love with God. The third quatrain and the ending couplet leave Donne vindicated to criticism. Donne is asking God for a violent action to fulfill a pure heart but what that violent action is differs from critic to critic, assuming that we are all critics. If you want to let a full essay, station it on our website:

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